The management is proud to bring you a first-hand report from Manhattan's Cultural Event of the Year: The Museum of Modern Art's opening shindig.
Here's the short version: Holy Fucking Shit.
Here's the long version: After toiling away on this reopening for the better part of two years, the culmination of our efforts is finally in sight. The museum opens to the public on Saturday, but last night was the big premiere party.
Confirmed celebrity sightings: Alan Cumming in this cool white tuxedo (That dude is seriously tiny... I wanted to hug him.); David Byrne (I swear to god I see this man
everywhere.); Marisa Tomei (Who cares?); Alicia Silverstone (Wouldn't have figured her for an art lover, but whatevs.); Tom Brokaw. Rumored no-shows(?): Gwinny and Chris Martin and Renee Zelweger. Oh and earlier that day I was working at the front desk and Debbie Harry asked us for a Sharpie. We didn't have one. I was so starstruck that I stared at her with my mouth open and couldn't talk. Diagnosis: Embarassing retard.
Music: First, Ryuichi Sakamoto treated everyone to a hopelessly avant-garde DJ/laptop set that sounded like dogshit in the "soaring 110-foot-tall atrium." Apparently trustees were complaining all night about the horrible racket. Don't you just wanna punch old people? Next, an amazing live set by
The Zutons up in the temporary exhibition galleries. Oh man... they were so great. And I was apparently one of three people in the building who had actually heard of them. Word is that Sigur Ros was originally scheduled for this slot, but they cancelled at the last minute.
Thank the lord Jesus in heaven for small favors. If I wanted to go to sleep, I'd stay at home in bed, thank you very much. Finally, none other than Perry Farrell, looking quite dapper in a shirt and tie, played the most middle-of-the-road, lowest-common-denominator DJ set in history. If he had played "Brick House" or "Bust a Move" it would have fit in perfectly. But he was having fun and the crowd was dancing like maniacs, so well done sir.
Note: The management will post pictures the moment new camera phone technology is understood. Photos are currently trapped on phone.
Drinkin', dancin', and art appreciatin' is hard work, but we sucked it up and headed to the afterparty at MoMA's pet bar, Connelly's. We had pockets full of cash, brains full of free booze, and Zutons David McCabe and Boyan Chowdhury in tow. Newsflash: Liverpudlians can drink. Left bar too drunk to see... went to breakfast... crawled into bed at 5:15 a.m. Brain cells killed: 23,000,000. Cocktails consumed: unknown. Number of times "Awesome!" was yelled: 12,345. Hours late for work: 2.
Final analysis and conclusions: Liverpudlians can drink. Saxamaphone
may be poised for a legitimate return to rock-music respectability. Canadian Club whiskey is my new best friend. MoMA is an astounding place for looking at art and a bad place for listening to music. Of all people, Perry Farrell should know that "Give It Away Now" is a crappy song. The Museum of Modern Art is genuinely breathtaking and I would recommend seeing it on acid (unless you are afraid of heights... then you would go insane with fear and claw your own eyes out). I have been either drunk or hung over for the last 72 hours and I think I might be dying.
Also, you should come to the party tomorrow night.